It may be troublesome to isolate jewellery from the background. With this industrial images method, I’ll present you float a necklace named Pegasus. Bonus! It may be any colour in any respect.
Reminder: I’m a Fotopro Featured Photographer and a Platypod Professional.
The set
The set consists of a four-sided rectangular field. Backside, two sides and again. The entrance is left open to permit LED lights so as to add colour to the background. The stage has a 30-inch threaded rod which is mounted in a 2×4 for stability. That is the product platform. A chunk of drafting vellum is painted with black watercolor. A gap is made to slip the vellum over the threaded rod.
Level the digital camera straight down. With this configuration the product — on this case, Pegasus — blocks view of the rod from the digital camera. A dab of cheesy wax holds Pegasus in place. The vellum paper provides texture and provides a cloudlike look to the floor underneath the product. With no shadows potential from the principle gentle the product ‘floats’ within the scene.
Remaining picture exhibiting a industrial images method to drift an object. Photographed at f/5.0 to maintain the background smooth and easy.
Pegasus jewellery earlier than processing. Remaining picture exhibiting a industrial images method to drift an object. Photographed at f/5.0 to maintain the background smooth and easy.
The gear
Along with the set you’ll want a tripod. I’m utilizing a Fotopro T-Roc Max. Ensure that your tripod adjustment collar is safe so that you digital camera lens doesn’t crash into the rod. The digital camera is suspended over the set utilizing a Platyball and Platypod Deal with. With the digital camera suspended it’s smart to weight the tripod for stability. I’ve used a Neewer sandbag full of pea gravel. You can use a weighted backpack as properly. The Deal with works properly as it may be adjusted in many various configurations. On the finish of the deal with is a second ball-head. There are three Platypod Ultras. Two are holding Platypod Goosenecks. I’m utilizing these to show the chain. The third Extremely is supporting a Falcon Eyes F7 fold LED gentle. With two LED panels fully controllable you may dial in ANY colour and brightness desired.
Look into the gear description above to see how every thing comes collectively.
Digital camera and lens
Olympus OM-D E-M1 Mark III is my digital camera. A 60mm M. Zuiko f/2.8 Macro lens will get nice element. The vast aperture is essential in no matter lens you select to make use of. The vast aperture permits the background to fade to tremendous softness. Closing down your aperture lets extra of the black watercolor learn in your picture including a bit extra texture and extra decisions for the search for which you’re going.
Essential gentle is an COB LED from Zhiyun and is behind the scrim to maintain the sunshine from being too harsh on the topic. The bigger the sunshine supply the softer the shadow edge transitions in your topic. Try my overview on the Zhiyun 100 watt LED gentle.
The shoot
With a brilliant reflective topic resembling jewellery you wish to get gentle into areas. Slightly than spend numerous time including extra confusion to the set I recommend utilizing Photoshop as your lighting instrument making a pair exposures holding a white card in place and shifting it across the set. In the end I’ve discovered this to be a quicker and cleaner technique to work.
Notice the additional element within the background. Photographed at f/11.
Photoshop
After capturing your photos, it’s a fast journey to Adobe Digital camera RAW (or Lightroom if that’s your most popular software program). Take the frames for mixing and cargo them as layers in Photoshop. Take the photograph that has probably the most data you need and place it on the underside. Spotlight all layers, and simply to be protected, click on Auto-Align Layers within the Edit menu. If there was a slight bump of the digital camera this may make sure you gained’t find yourself with blurry fills. Add black masks to the higher layers. Paint with a smooth white brush to permit the opposite areas to mix into the underside layer working one layer at a time.
Layers palette. Three layers for capturing all the sunshine from totally different angles masking in what is needed. See the textual content for the remainder of the put up manufacturing.
Even thought there’s full colour management of the background on the set typically shoppers change their thoughts, think about that! Masking out the jewellery a Hue Saturation positioned under permits for much more prospects.
Regardless that we have now full management of the colour of the background throughout seize, we are able to change the colour in put up as properly. Including a Hue Saturation layer whereas masking out Pegasus offers us much more management.
Ending strikes
I made a pair tweaks to finish the post-production. One aspect of the chain fell out of depth of discipline as a result of I used to be attempting to permit the background to go tremendous easy. As a substitute of going again to the set, I made a duplicate of the digital camera left chain, flipped it and masked it into the suitable aspect. There was somewhat dodging and burning on a Comfortable Mild layer. Lastly, I added a Ranges layer with a masks to vignette only a bit to maintain the viewer’s eye from escaping out of body.
In case you have anyquestions about this industrial images method please don’t hesitate to drop them within the feedback under.
Yours in Inventive Images, Bob
